The two instrumental jams inserted to break up the gargantuan riffs are mesmerizing and addictive as all hell, as you'll find yourself humming that shit for days. The song opens like the band was playing on mute for the first thirty seconds and hits like a ton of post-hardcore/post-metal bricks. I really only need to say one thing." As Well as the Body". In January of 2015 SARIN released their cd ' Burial Dream' to, from what I can tell, very impressed critics. "Black Halls" is also worth nothing as it gives an excellent view of SARIN across the board as they fuck with a few different styles and sounds on this one. Both " House of Leaves" and " Mosque" are very heavy, dark and evil, although the former will fool you for the first 1:20 with a dreamy instru-metal intro and leave you a pulverized mess, while the latter will just leave you a pulverized mess. Back to the band at hand, SARIN knock it out of the park with this bad boy, as tracks one and two are unreal, followed by a short but decent instrumental song and then an extended closer. A quick side note, that book is so good I wrote a song based on it about ten years ago with my old band Gali Ma and called it "The Perfect Pantheon of Absence". Danielewski's amazing book by the same name. In 2013 SARIN released another EP, this time titled ' House of Leaves' which is based on Mark Z.
Regardless, this begins with very spacey guitars led by extremely driving bass that eventually climaxes into some very Pelican sounding instrumental chugs that were likely influenced by 'Australasia'. The final song "Contract/Collapse" is apparently a demo version, but I haven't seen it crop up anywhere else. "Let the Bitter Weeds Grow" is another dark and demonic tremor that'll rip through your soul over its 4:12 duration and is reminiscent of the first Old Man Gloom record 'Seminar 1: Meditations in B' or whatever it's called. "Host" is a brooding and eerie number that detonates suddenly at 1:12 and doesn't let up. Opener " Above and Below" is an excellent song and appropriately slotted in the number one spot as the towering and poisonous guitars saturate the track's entirety but never make an appearance as strong or as capturing as this again on the record. On the band's 2012 debut EP, simply titled ' -', they begin with sludgy, dirty and raw hardcore/doom/metal in early Isis fashion, most notably the 'Mosquito Control' and 'The Red Sea' EPs. That more than grabbed my attention so fast forward to 2016 and I contacted the band about playing The World That Summer's cassette release party, to which they agreed. I first read about SARIN on the good old Elementary Revolt blog from the early 2010s, noting that they were both from Ontario and influenced heavily by Isis. You can download: the October 2016 Mix#10 right here or get the new November 2016 Mix#11 here.
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